I love plays like Oprah loves bread. Nothing makes me happier than reading a play full of possibilities. Most of my directing work is focused on new play development.
Whether directing professional actors or young performers, it's important for me that the artists feel safe enough to bring their whole selves into the space and share their needs and experiences.
I welcome a lively debate in the rehearsal room as long as the physical and emotional safety of the artists is my top priority.
I like work that is transformative, immersive and imperfectly perfect.
There is nothing better than a good stage manager.